Creativity cannot thrive in a negative environment." -Personal Mantra
Hailey Green is a production & creative professional based in the DFW metroplex.
She has worked in the field of Stage Management for live theatrical productions since 2015. You may have seen her in the booth or backstage at Casa Manana, the Actors Conservatory Theatre, The Classics Theatre Project, Stage West, Imprint Theatreworks: First Impressions Festival, Altered Shakespeare, Prism Movement Theatre, Watertower Theatre, Ochre House Theatre, Amphibian Stage, Circle Theatre, Shakespeare Dallas or Second Thought Theatre.
Additionally you may find her in other production capacities including Production Coordinator for the Fort Worth African American Roots Music Festival & the Production Manager for the Trinity Pride Festival.
She currently serves on faculty in the University of Texas at Arlington Department of Theatre & Dance overseeing the departments Stage Management Practicum.
She is a proud member of Actors Equity Association (AEA), the Stage Managers Association as well as a professional member of the United States Institute of Technical Theatre (USITT).
Outside of the field of live production, Hailey works as the assitant & resident photographer for Dallas based Drag King King Captain. Additionally, she serves as a staff writer & social media coordinator for the quarterly queer publication FRUITSLICE & is a cofounder of the queer community organization "Sapphic Space".
Hailey also has certifications through Theatrical Intimacy Education & works as an Intimacy Coordinator for stage & film.
She holds a BA in Theatrical Production & a BA in Communications Public & Media.
Hailey deeply believes that her position as a professional creative worker provides her a platform to speak up about the inequality and systematic oppression this line of work often carries. It is her goal to speak up against acts & words of hate & hold individuals and institutions accountable for their actions of discrimination against BIPOC individuals, those in the LGBTQ+ community, woman & all other marginalized groups. It is her hope that she is able to instill in her students & fellow artists a want to do the same.
She has worked in the field of Stage Management for live theatrical productions since 2015. You may have seen her in the booth or backstage at Casa Manana, the Actors Conservatory Theatre, The Classics Theatre Project, Stage West, Imprint Theatreworks: First Impressions Festival, Altered Shakespeare, Prism Movement Theatre, Watertower Theatre, Ochre House Theatre, Amphibian Stage, Circle Theatre, Shakespeare Dallas or Second Thought Theatre.
Additionally you may find her in other production capacities including Production Coordinator for the Fort Worth African American Roots Music Festival & the Production Manager for the Trinity Pride Festival.
She currently serves on faculty in the University of Texas at Arlington Department of Theatre & Dance overseeing the departments Stage Management Practicum.
She is a proud member of Actors Equity Association (AEA), the Stage Managers Association as well as a professional member of the United States Institute of Technical Theatre (USITT).
Outside of the field of live production, Hailey works as the assitant & resident photographer for Dallas based Drag King King Captain. Additionally, she serves as a staff writer & social media coordinator for the quarterly queer publication FRUITSLICE & is a cofounder of the queer community organization "Sapphic Space".
Hailey also has certifications through Theatrical Intimacy Education & works as an Intimacy Coordinator for stage & film.
She holds a BA in Theatrical Production & a BA in Communications Public & Media.
Hailey deeply believes that her position as a professional creative worker provides her a platform to speak up about the inequality and systematic oppression this line of work often carries. It is her goal to speak up against acts & words of hate & hold individuals and institutions accountable for their actions of discrimination against BIPOC individuals, those in the LGBTQ+ community, woman & all other marginalized groups. It is her hope that she is able to instill in her students & fellow artists a want to do the same.
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